Manon strives for perfection
Manon is a risk-taker’s ballet. There has to be abandon in the duets MacMillan created for Manon and her lover Des Grieux.
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Manon is a risk-taker’s ballet. There has to be abandon in the duets MacMillan created for Manon and her lover Des Grieux.
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Filed under: Theatreland
Mine is a sensitively handled panorama of emotions about what it means to be part of a family and to want to create a new one.
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It takes an Irish actor banished to remotest Cornwall in childhood to cook up a monologue as witty and fanciful as Radioplay.
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In the Red and Brown Water indicates Tarell Alvin McCraneys willingness to toy with the conventions of stagecraft.
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No Man’s Land is chilling, thrilling Pinter in dream-land, relieved by flashes of sardonic amusement.
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Ever-enterprising Artistic Director Josie Rourke has commissioned short pieces from 10 playwrights on the loose theme of darkness and light.
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Having been drenched in critics’ superlatives for his Hamlet, David Tennant takes on a riskier proposition by trying his hand at Love’s Labour Lost.
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To celebrate its 10th anniversary, Pilot Theatre Company has revived its award-winning production of Lord of the Flies.
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This assured revival of Alan Ayckbourn’s masterful 1973 trilogy, showing in London for the first time in 34 years, usefully reminds us to take the laughter very seriously.
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No Man’s Land is chilling, thrilling Pinter in dream-land, relieved by flashes of sardonic amusement.
No Comments »
Filed under: Theatreland